Christopher Nolan’s epic is truly that: Grand in scope and storytelling, recalling the past classics in the genre. After about 30 minutes of low-key exposition, the real journey begins with Odysseus (Mat Damon) and his soldiers conquering Troy, then facing mythical creatures and challenges to get home. Meanwhile, his queen (Anne Hathaway) is trying to hold steadfast, delaying her suitors (led by a quietly sinister Robert Pattinson). And her son (Tom Holland) does his best to do what he can. Damon effectively holds the leadership reins with his performance, while Hathaway is heart-breaking in her despair and inspiring in her resolve (their reuniting moment is truly touching). Nolan has chosen to write the dialogue without any period elocution, having Holland call his parents “mom” and “dad.” Even so, the actors are all committed to the dramatic intent. Of course, the spectacle is undeniable and editor Jennifer Lane has crafted some gripping encounters. While the press around Nolan’s commitment to real locations is admirable, I’m not sure it really made a difference in the look. The voyage is expertly crafted creating a compelling cinematic journey. 4.5 out of 5.0 stars
